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back talks with the mills and lawn mowers

in these pictures, the magnificent Marina Abramovic (grandmother of the performances, as defined it) in one of his speeches more hieratic. sat in a table in the middle of his back, staring at an empty chair in front of her. nothing more. and nothing less. audiences with his imposing presence. she sits in a chair and allows a visitor feels in total silence in front of her. time will decide who sits, as she can spend hours without blinking.
there were occasions where only looked into the void because there was nobody in front of his own reflection, perhaps. other, one by one were sitting in front of her holding the pulse in her eyes. his eyes were lifted up. end sat in the middle of his work during the hours of public opening of the MoMA from beginning to end of the exhibition, which opened 14 March and closed a May 30, 2010. so she sat a total of 716 hours and 30 minutes. stressful for the blind of his eyes.



photo and video suddenly seem to me like that juxtaposition of the two voices that are sensed in the last book of Quílez Cecilia. the front and back . because no longer a "face" where the bodies are as subject-object and means to explore the physical limits, philosophically and psychologically.

Thursday March 31 will discuss with these two voices. will present these divergent subjects living in his latest book Dress Me long ( Calambur Editorial). will be in the Cultural Field Hall (7 th floor of El Corte Ingles, Serrano, 52) at 19 h in the afternoon

intervene with the author, Ramon Bolton as Director of Cultural Scope and myself as a presenter. for more details on the Agenda page of the English Court's invitation

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de-orbited immutable

man and his reality are manifested in different ways: Meridian, dark, genetic or environmental, rational or sentimental, wicked or kind, with greatness and misery, so spurious or disinterested. but there is an immovable although contradictory nature. all reality is mutability transformation. Biography all the ways of transition. every portrait is becoming, hatching, racked body movement, organized on the territory of evolution, which turns your mobile into a story quiet ... we demonstrate incoherent, contradictory. insconcientemente man reinvents itself. we reinvent ourselves breaking down and reassembling our inimitable, illogical and wonderful nature. are transformed, evolved and we invariably camouflaged in the sign of reality, which is multifaceted and complex
shakespeare


and now I wonder why s new in this world, if everything was already there. we know that nature is strongly mutable .... but its sounds, smells and colors remain so steadfast in our memories .... the wind, the sound of a lawnmower that brings you back to childhood, a spinning mill skewing those air so hard ... novelty in this world many years after the faces are newly discovered. new friendships. everything else is unchanged from my eyes.

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two

I like my body when your body
is something so very new muscles

nerves better and I like your body. and what it does.
its hows.
spine and I like to feel all your bones
and tremor and gently firm
that I will have again and again and again,
kiss, and kiss me like this and that I like petting
slowly and feel
discharge of your electric fur
and whatever meat is on the open ...
and large eyes like crumbs

love and maybe even I like the thrill

of you beneath me as so new ee cummings

(translation ezequiel zaidenwerg)
* I will bring the soup Blog

poetes love is the death compensation, its essential corollary, are neutralized, the words to each other ... (Schopenhauer), so I upload this poem after the natural disasters in Japan

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ee cummings and Japan in the eye of Hurricane ...

unimaginable. Toy airplanes
sleeping with toy cars and broken chips in the same play space. in the same model. toy boats landing sleeping next to cars like those first seaplane without hydrogen or fuel.

scalextric cars around an aircraft upside down houses people who make fortunes impossible, but that other hands could recompose so that nothing outside as in this world dawned model.
the world is a plaything of a titanic mall.

is funny how being such tremendous images, would, in the eyes of a child, apparently toys in their hands. as they could with their little, innocent hands of the wings to take the aircraft and launch into the air to give them the life they lost on this trip ... or take the car flooded with water and extend it by the path that leads home. or to sail these boats now wrecked and give them the life that is in their bathtubs. give all the beating that was yesterday.

occurs to me that salvation in some sense is in the eye of the hurricane of all our children.

* loop

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land dies ...

the earth moves, but I do not know if it makes around the sun because the sun is dead. the land of our time asleep trembles beneath our feet. water in the morning and fire now under these two brothers naked.
the earth moves. the earth dies. the earth moves. the earth dies. the earth moves. the earth sleeps. the earth dies.
what nefarious end up looking like over time, as long as it continues to exist, important dates like today. March 11 .... Tokyo and Madrid are sisters under the same land.

upload this video, the first lame not choose. and I think quite a paradox the first few seconds of advertising. Your home deserves a great week in the English court . I wonder how biased the homes this week will be so disastrous-not great-in that other land. the first thing you hear is the music of that announcement, what music so unfortunate. I hear later, do not get offended by that ad-skipping the tsunami occurred just at 6.46 am English time. at that exact time, this body of mine, now alien, had just arrived at a bus stop to go to work. now absorbed in thoughts relative, tell me and I now repeat: how blind we can not perceive or intuit how to shake the very earth beneath our feet only to 12,600 miles or 12,600 kilometers under our feet ... the same land. the same sun. should feel. as if we were twins who become ill when our other half sick. is that there are no twins?

this world will end up looking like a drawing. a mere sketch of "comic" that produce laughter in the hands of a child prodigy. or maybe a museum piece but impossible as that wonderful museum still Vostell Malpartida. what nonsense. maybe that's why our eyes do not just believe the world is broken.

meantime, we have an obligation to be happy and the right to tell.

* thanks J. by telephone neologism you give the skyscrapers today, scratch-ground

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die to everything of yesterday

* Death is for those who have a resting place. Life is a movement in the relationship and affection, denial of this motion is death.

experiences are not that corrupt the mind, but what you leave behind the residue, the scars, the memories. These accumulate, pile up on each other and then the pain starts. This pain is time. Where there is no time innocence. The passion is born of pain. The pain is experience, the experience of everyday life, life of anguish and fleeting pleasures, fears and uncertainties. One can not escape the experience, but they need not take root in the field of mind. Such root cause problems, conflicts and constant struggle. There is no other way out of this to die every day for everything yesterday. Just a clear mind can be passionate. Without passion we feel the breeze among the leaves and see the sunlight on the water. Without passion there is no love. Seeing is

action. The interval between seeing and action implies energy loss.

* It is important to understand the nature and the beauty of observation, of seeing. While the mind is distorted in some way-by neurotic impulses and feelings of fear, suffering, poor health, ambition, snobbery and the pursuit of power, will not be able to listen, observe, see. The art of seeing, listening, watching, is not something that can be grown, nor is it a matter of evolution or gradual development. When one realizes the danger, there is immediate action, instinctive and instantaneous response of the body and memory. One has been conditioned from childhood to face the danger so that the mind responds instantly, because, otherwise, there would be physical destruction. It is possible to act in the moment of seeing, in which no conditions whatsoever? In other words, perception, action and expression are all one, not divided, fragmented.

Seeing is the action itself, and this is an expression of that view. When you realize the fear, you must observe so intimately that the observation itself involves getting rid of it, which is action.

* Jiddu Krishnamurti two excerpts from the book life encounters

MUST for every age and sex, race condition and some others. I began reading the Hindu thinker for many years and even today this life encounters, never stopped learning from him. despite reading it again and again.

V. I begin to need this book ... Lively